Electronic Audio Experiments Sending Analog Delay Pedal

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Electronic Audio Experiments Sending Analog Delay Pedal


Prismatic Wall
Sending is an analog delay that melds the archaic voice of bucket brigade devices with a fully modern toolbox of digital control. It embraces the character and idiosyncrasies of the medium while delivering high quality sound and performance-friendly features worthy of the modern musician.

Using two MN3005 BBDs and comprehensive analog processing techniques, Sending can delay a sound up to a full second without clock noise, and it can be pushed to even longer times for compelling sonic degradation. At the input is a discrete preamplifier capable of subtle enhancement or warm saturation that melds perfectly with the delay line. A dual-mode feedback filter shapes the repeats into deep pulses or dub-style bright echoes. Its flexible LFO engine can modulate the delay time to create gentle movement or musical chaos. Conducting this analog ensemble is a 32-bit, 100MHz processor granting deep user control, preset functionality, and MIDI access to every parameter.


FEATURES
• A unique discrete preamplifier for subtle enhancement or full-range saturation that is automatically balanced for optimal output levels at all settings.
• Trails bypass mode that allows the preamp to be used as an always-on drive.
• Dual-mode Filter control that changes the tone of the delay repeats.
• Advanced analog filtering for low noise and high bandwidth on the delay line.
• Comprehensive digital control of every function using a powerful 32-bit processor system that seamlessly integrates with the analog signal path.
• Tap tempo with subdivisions and a hold mode for feedback swells.
• Delay time LFO engine with sine, square, and triangle waves plus a unique Chaos function that modulates the delay time using a truly random Lorenz attractor.
• Insert loop to apply external effects to delay repeats within the feedback path.
• Save and recall up to 32 presets: 3 via the front panel, the rest via MIDI.
• CV/Expression input that can be mapped to one or multiple controls.
• TRS MIDI input for control changes, preset selection, and clocking.
• Web-enabled firmware updates via the MIDI jack.


CONTROLS
Each knob has a primary and secondary function. Access secondary functions by pressing Shift once. Press again to return the panel to normal.

• Time: delay time from <5ms to 1 second - Div: tempo divisions
• Color: adjusts preamp gain while keeping level consistent - Trim: adjust volume up/down by 6dB
• Mix: wet/dry blend - Mix Mode: Sets Mix knob as a crossfader between wet/dry or as a delay level control only
• Feedback: sets the number of repeats, from one repeat to self-oscillation - Swell time: adjusts speed of feedback swell when Tap is held
• Filter: cut lows or highs in the delay line
• Rate: LFO rate - Chaos: LFO randomization
• Depth: LFO intensity - Shape: Set LFO waveform
• Preset Select Buttons (I, II, III): long press to save a preset, short press to recall
• Engage Footswitch: turn effect on/off. Long press to change the bypass mode.
• Tap Footswitch: tap four times to set the delay time as a running average. Hold to enter Feedback Swell mode.


SPECS
• Bypass switching: Electronic bypass with buffered or Trails modes. Trails mode passes signal through the preamplifier.
• Input impedance @ 1kHz: 1MO
• Output impedance @ 1kHz: <1KO
• Power: 9VDC, 2.1mm center negative barrel. Current draw is 350-380mA depending on the Time setting.

It is recommended to use a regulated, isolated power supply rated for 400 mA minimum. The DC input is protected against reverse polarity and over-voltage up to 24V. Our pedals do not accept batteries.

All Electronic Audio Experiments pedals come with a warranty tied to the original owner.